Art Collections

This is the complete collection - everything I've made available for sale, from hand-painted originals to digital work. I started painting seriously in 1992, working across multiple mediums and themes. You'll find abstract pieces showing how my style evolved, Irish seascapes from the Atlantic coast, nature scenes, florals, and experimental work. Some pieces are bold with thick impasto texture, others are quieter with subtle color shifts. I paint what interests me rather than sticking to one style. This collection is for collectors who appreciate artistic evolution and aren't looking for an artist who makes the same thing over and over. Perfect for building a collection over time or discovering work you didn't know you were looking for. Every piece available as a hand-painted original or museum-quality fine art print.

I started making crypto art back when Bitcoin was still considered fringe. These pieces explore the visual language of digital currency - from Bitcoin symbols to abstract representations of decentralization and blockchain networks. Some are serious commentary on financial systems, others are satirical takes on crypto culture. This collection speaks to collectors who understand the intersection of technology, art, and finance. Perfect for modern offices or tech-forward living spaces. Available as digital prints and originals.

I paint monkeys with traditional media - acrylic, oil, whatever works best for each piece. There's something about capturing their expressions with actual brushstrokes that digital can't quite replicate. The texture of real paint adds weight to their gaze. I started this series after spending time watching primates at a sanctuary in Ireland - their intelligence and emotion are impossible to ignore. These are hand-painted originals for serious collectors, with fine art prints available for those who want the image without the original price. Perfect for spaces that value authentic craftsmanship.

I paint flowers the way I actually see them - bold, alive, full of color that doesn't apologize. These pieces use thick paint and strong brushwork to capture natural forms and vibrant petals with texture you can feel. I started painting flowers after my grandmother's garden in Ireland, though these are far from traditional florals. They're for people who want botanical art with energy and presence, not delicate watercolor pastels. Perfect for spaces that need organic warmth with contemporary edge. You can own an original canvas or get a high-quality fine art print.

I've spent years watching the Atlantic from the Irish coast, and it never gets old. These paintings capture what I actually see - shifting light on rough water, the way clouds move across the horizon, that particular quality of Irish weather where everything changes in minutes. Some pieces are calm and contemplative, others are wild and storm-tossed. They're for people who understand the ocean isn't just pretty - it's powerful and moody. Perfect for spaces that need dramatic presence without being loud. Available as original acrylic canvases or fine art prints.

County Mayo is where I spend most of my time painting, and the light here is unlike anywhere else - soft and diffused one minute, harsh and dramatic the next. These works capture the Atlantic coast, the rough boggy terrain, and that particular quality of Western Irish weather that locals just call 'changeable.' I painted most of these outdoors or from memory immediately after being out there. They're for people who know Ireland or want to understand it beyond the tourist clichés. Perfect for spaces that value authentic sense of place. Originals and fine art prints both available.

This year I'm working with sharper forms and cleaner edges - there's more breathing room in the compositions than before. The 2025 pieces feel more deliberate and less reactive than last year's work. I'm interested in what happens when you strip things back and let geometric shapes do the talking without a lot of gestural noise. These are for collectors who appreciate minimalist tendencies without going full minimalism. Perfect for contemporary spaces that value restraint and precision. Each piece available as an original canvas or fine art print.

Last year I focused on building up layers - sometimes five or six deep - and working with more complex compositions than I had before. The 2024 pieces have serious texture you can see from across the room. I was thinking a lot about how paint behaves when you let it get thick and messy, then scrape it back to reveal what's underneath. These are for collectors who want abstract work with physical presence, not just flat color fields. Perfect for spaces that can handle bold, textured statements. Available as original paintings or archival prints.

2023 was my experimental year - I pushed into brighter colors and faster, more gestural brushwork than I'd used before. These pieces have an energetic, almost frantic quality that the earlier work doesn't. I was working quickly, trying not to overthink things, letting the paint move how it wanted. They're for collectors who want abstract art with visible energy and movement, not quiet contemplation. Perfect for dynamic spaces that can handle high-energy work. Available as original canvases or fine art prints.

In 2022 I deliberately slowed down and started working with more layers - building up atmospheric depth rather than chasing energy. These pieces are quieter than the later work, with subtle color shifts that reveal themselves slowly. I was thinking about how paintings can hold space without demanding attention, how they can be present without being loud. They're for collectors who want contemplative abstract work that rewards patient looking. Perfect for spaces that value calm sophistication over dramatic statements. Available as original paintings or archival prints.

2021 was when I started moving away from rigid geometry and working with more fluid, organic forms. These pieces have a looser, more intuitive feel than the later work - less controlled, more responsive to what the paint wanted to do. I was learning to let go of planning everything in advance. They're for collectors who appreciate the early stages of this abstract exploration, when I was still figuring out this new direction. Perfect for spaces that value authenticity and process over polish. Available as original canvases or fine art prints.

These are from when I started this abstract series in 2020 - the genesis pieces of this body of work. The work is rawer and more direct than what I make now, without the technical refinement that came later. There's an honesty in these early pieces that's hard to replicate once you know what you're doing. I was just trying things, seeing what happened, not worrying about whether it looked 'good.' They're for collectors who value raw creative energy over technical mastery. Perfect for spaces that appreciate the beginning of this abstract series. Available as original paintings or fine art prints.

I've been working digitally for a few years now, and it's changed how I think about making art. It's different from physical paint but has real advantages - you can layer without waiting for things to dry, undo mistakes, and get precise color control that's hard to achieve traditionally. This collection includes everything I've made digitally: abstract work, nature scenes, florals, and experimental pieces. It's for collectors who appreciate contemporary digital art and want museum-quality prints without the original painting price tag. Available as high-quality archival prints.

I started making digital portraits of women to explore contemporary femininity without the traditional male gaze. These pieces focus on expression, strength, and complexity - women as full human beings rather than objects. Working digitally lets me push skin tones into unexpected territories and use saturated backgrounds that create emotional atmosphere. Each piece captures a different aspect of feminine experience - some are confrontational and direct, others introspective. I'm not interested in making women look 'pretty' in the conventional sense. I'm interested in making them look real, complex, human. These are for collectors who want contemporary figurative art that engages with what it means to depict women in 2025. Perfect for modern spaces that value art with substance and perspective. Available as high-quality digital prints on archival paper.

Monkeys have incredible faces - so much character packed into those expressions. I work on these digitally because it lets me nail the eyes and play with saturated colors that feel more expressive than traditional paint. Each piece focuses on personality and gesture, capturing that spark of intelligence you see in primates. These work well for collectors who want animal art with personality rather than generic wildlife prints. Great for creative spaces or children's rooms with sophisticated taste. Available as high-quality prints.